DISCOGRAPHIE  
Reviews on SUR

SUR

ANIBAL TROILO (1914-1975)
Sur, La última curda
Ché Bandoneón, María
(Arreglos de Agustín Carlevaro)

ASTOR PIAZZOLLA (1921-1992)
Cinco Piezas: Campero, Romántico, Acentuado, Tristón, Compadre

EDUARDO FABINI (1882-1950)
El Poncho (Arr.: Atilio Rapat)

AGUSTIN BARRIOS(1885-1944)
Tango Nr.2, Don Perez Freire

ABEL CARLEVARO (1918-2001)
Aires de Vidalita, Tamboriles

J. LAMARQUE-PONS (1917-1982)
Sonatina
I Lento-Allegro moderato
II Largo
III Rítmico

ISAIAS SAVIO (1900-1978) - Batucada   		Reviews on HOMMAGES

HOMMAGES

SIMONE IANNARELLI (*1970)
Tribute to Keith Jarrett

CARLO DOMENICONI (*1947)
Hommage à Jimi Hendrix

LEO BROUWER (*1939)
Hika
(In Memoriam Toru Takemitsu)

SEBASTIÁN ZAMBRANA (*1967)
Carta a Egberto (El Shanty II)
Carta a Astor

MÁXIMO DIEGO PUJOL (*1957)
Elegía por la muerte de un tanguero
(Homenaje a Astor Piazzolla)
I Confuseta
II Melancolía
III- Epílogo

MÁXIMO DIEGO PUJOL
Variaciones sobre un tema de Atahualpa Yupanqui

MARIO CASTELNUOVO TEDESCO (1895–1968)
Capriccio diabolico(Omaggio a Paganini)



REVIEWS ON CD SUR


"The tango is a music of melancholy, and Uruguayan Adriana Balboa’s guitar weeps with the sound on this solo album. Based now in Germany, Balboa offers a tribute to the Rio de la Plata, the river that flows between Buenos Aires and her native Montevideo. She leads off with four popular cuts by the renowned bandoneonist and band leader Aníbal Troilo, including the great title cut, “Sur,” a moving, heart-wrenching tango anthem. In addition to songs by several Uruguayan composers, she also plays five of the lesser-known pieces of the master of the nuevo tango, Astor Piazzolla.
(Michael Dregni, Vintage Guitar, Jan. ‘01)

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 REVIEWS ON CD HOMMAGES



"Adriana Balboa’s interpretations are noted for the beautiful shaping of the music and their expressive design. Her gentle playing endows this “music for musicians” with a special character." Gutare Diffusion

“This dazzling CD consists of works that contemporary composers have dedicated to other musicians. The spectrum is in fact very broad... In her articulation of these compositions which are extremely demanding from a technical and interpretational standpoint, Adriana Balboa finds the perfect balance between passion, austerity and poetry.” (Acoustic Guitar Review/ March 2005)

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